Let’s start at the most significant workflow change in Live 11 – comping, takes, and linked-track editing. It’s rather a one-stop starting point for beginning to make some music or explore the new tool.įor all the fun instruments and effects, it’s also worth noting that a lot of the tweaks to workflow can only come from Ableton Live – and that the Max for Live API changes are likely to make still more third-party modification possible. It’s not a review – I’m assuming you’ll reach those conclusions on your own. The basic idea here is to have field notes you can keep handy while you work in Live, so you can get to playing, jamming, editing, and arranging.
But how do you actually dig into what’s new in Live 11 and start working? Here’s a deep guide to all the essentials. You’ve seen some feature lists – and this time Ableton are even running a 90-day free trial.
